My current setup can record 16 channels simultaneously, with headphone feeds for ten musicians. I can interface with most existing sound reinforcement systems, and can provide multiple mixes during recording (audio for video, or a quick board mix).

Microphones

• Neumann TLM 49 (2)
• Neumann KM 183 (2)
• Neumann KM 130 (2)
• Neumann KM 184 (2)
• Neumann TLM 127
• AKG C422 stereo, remote pattern
• Earthworks QTC30 (2)
• Audio-Technica AT4033
• Audio-Technica Pro37 (2)
• Audio-Technica AT2020
• DPA 4099B d:vote w/ Bass clip
• AKG D112
• Shure Beta 91A
• Shure SM57
• Shure SM58 (3)
• AKG C568 EB
• Manfrotto 269HDBU 24' stand and Ambient Jumbo 28' carbon fiber boom pole
• I have access to many other microphones; contact me if you have specific needs.

Remote Rigs

• RME Fireface UFX & ARC USB for talkback
• Grace m108 8ch mic preamp
• Sytek MPX-4Aii quad mic preamp
• Sound Devices MixPre-6
• RME Fireface 800
• Focusrite OctoPre
• Power conditioner
• ADK 1QSL Quad core (i7 HT) laptop
• ART S8 (2) - 16 channels of isolated mic splitters

Monitoring

• Neumann KH 120 powered monitors
• ADAM Audio T10S sub
• Spendor SA1 monitors
• Audient Nero monitor controller
• Outlaw Audio RR2150 amp
• Sony MDR-7506 headphones
• Audio-Technica ATH-M50 headphones (2)
• AKG K52 headphones (8)
• AKG K240 headphones
• Vic Firth high isolation headphones
• Radix headphone distribution

 Instruments/Other

• Rupert Neve RNDI
• Whirlwind Imp2 (2)
• Fender Stratocaster
• Alvarez Yairi Signature guitar
• Guild Pilot 5 string
• Fender Precision 5 string
• MarkBass CMD 121P combo amp
• Hartke 115 and 210 speakers
• Manfrotto 269HDBU 24' stand
• Ambient QP-Jumbo 28' carbon fiber boom pole, for orchestra/organ/large ensemble
• Many other mic stands/rigs and lighting stands